B-roll is the supplementary footage cut over your main shot — hands typing, a product close-up, a wide establishing shot. It's the single biggest lever for making a talking-head video feel like a produced piece instead of a webcam recording.
What to shoot
- Close-ups of hands doing the task you're describing
- Wide establishing shots of your workspace or environment
- Product or object detail shots from multiple angles
- Reaction shots — even a second of you nodding or reacting adds variety
How much B-roll do you actually need
A good rule of thumb: for every minute of talking-head footage, aim for 20–30 seconds of usable B-roll. You don't need to cover the whole video — cutting to B-roll during your strongest points and letting the camera hold on you during your most important lines keeps a healthy rhythm.
Cutting B-roll in without killing pace
Keep individual B-roll cuts to 1–3 seconds unless the shot is doing a lot of visual work on its own. Layer your original audio underneath so the narration keeps flowing — the cut should feel like a visual accent, not an interruption.
Stack B-roll on unlimited tracks and trim to the frame in EseCut's timeline.
Start cutting free